இன்னொரு தாரே ஜமீன் பர்

டிஸ்லெக்சியாவினால் பாதிக்கப்பட்ட சிறுவனின் கதை போல ஒரு உண்மைக்கதையை யூ ட்யூப்பில் பார்க்க நேர்ந்தது. இதில் வரும் பெண்ணுக்கு ஆட்டிசம் என்ற நோய். தனக்கு என்ன நேர்கிறது என்பதை அந்தப் பெண் டைப் அடித்து சொல்வதையும், அவள் பெற்றோர்களின் தியாகத்தையும், பார்த்துதான் புரிந்து கொள்ள வேண்டும். கண்ணீர் வந்து விடும். Link

http://www.youtube.com/watch?v=jq--75v4lI8. பொறுமையாக கடைசி வரை பார்க்கவும். இது ஒரு digg recommendation.

மறுபடியும் இன்செப்ஷன்.

விருப்பமுள்ளவர்கள் இன்செப்சனின் இந்த இன்டர்ப்ரெடேஷனை படித்துப் பயன் பெறலாம். தலைப்பு: விழித்துக் கொள்ளாதீர்கள்.

http://chud.com/articles/articles/24477/1/NEVER-WAKE-UP-THE-MEANING-AND-SECRET-OF-INCEPTION/Page1.html

மனோஜ் சியாமளனின் சரிவு

என்ன ஆயிற்று நம் மனோஜ் னைட் சியாமனுக்கு? கடைசி படமான லாஸ்ட் ஏர் பெண்டர் மரண அடி. விமர்சகர் ரோஜர் ஈபர்ட் வாங்கு வாங்கென்று வாங்கி விட்டார். இது ஒருபுறமிருக்க ரேசிசம்தான் இதற்குக் காரணம் என்கிறார்கள். எது உண்மையோ தெரியவில்லை. ஆனால் நான் இன்னும் படம் பார்க்கவில்லை.

Has any recent director begun with greater promise or had a worse trajectory of achievement?

inception- real meaning(maybe)

From imdb. EDIT: I no longer truly believe this because I think it's far too complicated. Upon a second viewing, the story was incredibly EASY to follow especially with all of the discussion I've read on this board since then. I think the story has an easy solution and not something only a small percentage of viewers would ever think. The only thing I'm unsure about is if Cobb was dreaming at the end or not, due to the long amount of time the top was spinning and that the camera cuts away before it would have lost even more momentum. Also, I don't know why people are saying you hear the top fall when the credits start. You just hear the start of the music. That's it. --- The idea of 'Inception' is to be a story crafted in the architecture of the mind - Cobb's mind. What people perceive to be real isn't necessarily so, because the mind can make things appear to be as real as ever. An important thing to remember is the start of the film. Dom Cobb wakes up in a place that we later find out to be limbo – more importantly, Saito's limbo. What happens next is something that is meaningless the first time a viewer watches the film. Saito is seen handling Cobb's totem (which was a top that he took from Mal while in limbo). At first, this is meaningless. Upon a second viewing, the viewer should realize that everything that happens after this scene (the jump cut to Cobb's attempt at extracting information from Saito, and so on) is something much deeper. Saito promises to give Cobb the one thing that he wants, and that's to find the way back home. How does he convince Cobb to do this? He tells him to "take a leap of faith." This is another line that goes unnoticed at first. On a second viewing, the viewer should remember that line as something that Mal told Cobb when she jumped off of the building. Is the picture becoming clearer yet? While in Mombasa, Cobb gets chased by anonymous agents (which he perceives to be Cobol agents) through a fantastic action sequence where Cobb escapes the dream-like narrow tunnel and is rescued by none other than Saito. A bit later, Cobb and Saito visit Yusef who brings them into a basement with various figures connected to the dream machine. The idea was for Cobb to experiment with the deep sedative. He does, and when he "wakes up," he tries to use his totem only to be interrupted by Saito. Cobb never does find out if he is in the real world or not. In fact, he hasn’t been yet. He’s been in limbo ever since he got there with Mal. Ever since then, he's been going deeper and deeper to the point where he created Saito as a projection to help him "get back home" - Did you really think Saito can just pick up the phone and make murder charges disappear? No. But, Cobb believes it and thus Saito is used to thrust Cobb further and further into a state of limbo – where at the end of the journey, Cobb truly believes he is with his children after confronting and getting over his projection of Mal. While in the limbo, Cobb, using Mal's totem, put the idea in her head that she was in the dream world. She was, she just hadn’t realized it yet. What the viewer forgets is that all knowledge of limbo comes from Cobb's character. To think that Cobb is 100% accurate about it is absolutely wrong. He wouldn't know dream from reality – not in the limbo that he describes to people – and definitely not if inception were performed on him to believe that limbo truly was the real world. Mal and Cobb never really left limbo at least, not that layer of it. When Mal jumped off the building, she gave herself the very same "kick" that Ariadne improvised later on in the movie. Mal was right about still being in the dream world. Cobb was still engulfed in limbo and didn't realize it. When Cobb and Mal had killed themselves with the train, they simply moved one layer deeper just like Saito did when he was killed, Fischer did when he was killed, and so on (this happens again at the end of the film when Saito picks up the gun in front of Cobb). Cobb, deep in limbo, unknowingly uses the projections of his team to keep going deeper and deeper until the idea of inception is performed on his mind, and he truly believes he was able to find a way back home. Saito's promise to Cobb was kept - in the form of Saito (a projection from Cobb) making sure that Cobb ended up in limbo, so that he could live his "life" with his kids (who are in the same position as they were all throughout the film). The team were projections in Cobb's mind the entire time. It's how he was able to go to Miles in Paris and find an architect named Ariadne (a name which comes from a Greek mythology story about a labyrinth) who improvised the "kick" at the end of the movie the same way that Cobb had seen (but not accepted as a dream) Mal do previously when she jumped off the building. It's how Eames happened to know of Yusef, and so on and so forth. Everything Cobb needed to make this inception work happened to work out for him. It's even how Cobb's lawyer knew so quickly that Mal had gone to 3 different shrinks to be declared "sane" and how he happened to have a ticket for Cobb to be able to get out of the country before the police would have arrested him. The movie ends with Cobb appearing from place to place, going from limbo with Saito, to the plane where Saito magically makes one phone call to free Cobb from his problems, to walking through the airport, to meeting Miles who is with Cobb's children. Cobb spins his totem and it spins just like it was a dream. He fixes his eyes on his children and the totem begins to lose speed – this is because inception has worked – Cobb truly believes he is in the real world. His totem will not spin like it did in the dream, not as long as he has his kids. The title of the film is now shown to us, making complete sense because the title was really Cobb's journey through his own mind: INCEPTION

Re: What REALLY happened in the movie. (Long post) by daejeeduma 1 day ago (Sat Jul 17 2010 16:10:32) Ignore this User | Report Abuse

கலைஞர் டிவியில் மேட்ரிக்ஸ் ட்ரெய்லர்.

கலைஞர் டிவியில் இன்று மேட்ரிக்ஸ் படம் போட்டார்கள். ஒரு வாரமாக விளம்பரம் தூள் பறந்தது. கடைசியில் ஏண்டா பார்த்தோம் என்றாகி விட்டது. அந்த அளவுக்கு படத்தை கடித்துக் குதறி இருந்தார்கள். அதுவும் கிளைமேக்ஸில் தலைகால் புரியவில்லை. விளம்பரங்களை அதிகப்படுத்தி, காட்சிகளை கட் பண்ணி விட்டார்கள். அந்தப்படம் உண்மையிலேயே நல்ல அறிவியல் படம். ஒரு ட்ரெய்லர் பார்த்தது போல் இருந்தது. என்னைப் போல் எவ்வளவு பேர் ஏமாந்து இருப்பார்கள். வாழ்க கலைஞர் டிவியின் அறிவியல் தொண்டு.